BRIC POP: The Blog

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Whoa! Time to catch up

January 17th, 2008 · All, Brasil / Brazil, Россия / Russia, भारत / இந்தியா / ভারত / ಭಾರತ / India, 中国 / China

Been on a whirlwind project that had nothing to do with the BRICs, so I was sadly away from the book, and this blog. Let’s catch up on a few things that caught my eye in the last few weeks:

Wunderkind footballer Alexandre Pato — now shortened to just Pato by the brilliant self-naming gods of Brazilian football, who can give Landor or Interbrand a run for their money — scores in his debut for AC Milan. Pelé comes in to manage the expectations over Brazil’s latest superbrand.

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Russia is continuing to use their money to buy cool. Or is it their cool to get money? This Guardian article continues the Western canard that your average Noviye Russkie is a vulgar Slavic Beverly Hillbilly who can only buy loud Italian taste, ignoring the clever, well-educated subculture of people who are really cool and bringing authentic Russian style to the moneyed set there, and to us next. The Brits have a blind spot toward the Russians right now, maybe because of this.

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I was so absorbed by events in Pakistan that I almost missed some of the cultural fun goings-on in India, except for this troubling story of the always problematic Shiv Sena attacking an exhibition of the works of the greatest living Indian artist, MF Husain, at the India International Centre in Delhi. It continues to be one step forward, two steps back for Indian creative culture on the global stage.

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And my new favorite BRIC story of doing things in their own special way comes from China, where scorned wife/television presenter Hu Ziwei uses the backdrop of the Olympics to point out that her husband Zhang Bin, also a television presenter, is not being very harmonious by having an affair. Watch this!

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“Today is a special day for the Olympic Channel, for Zhang Bin, and also for me. Only two hours ago, I discovered that Zhang Bin has an illegitimate relationship with a woman. Next year, the Olympic year, the entire world will be interested in China. But as long as we are not able to export our values, China will not be a great country.”

You go, girl. Ambush marketing at its finest.

Next week is my favorite emerging-market free-for-all, Davos. My money is on Brazil to be this year’s belle of the ball, finally getting the attention they deserve. Not for anything cultural, mind you, as brilliant as they are. It’s all about the oil.

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Modern Russian filmmaking – where even blockbusters are art

October 29th, 2007 · Россия / Russia

Hey. Sorry I’ve been away for a few weeks. I went to a wedding in Italy and realized that they have already dropped behind the BRICs culturally…it’s now nothing but a poorly-run museum with good food and football teams.  Plus, I’m doing a freelance project while trying to write the book, so that’s been a challenge. No excuses…back to the good stuff.

I have never seen a bad Russian film. Ever. From the auteurs – Eisenstein, Tarkovsky, Sokurov – to the new post-Soviet mass cinema, they’re always doing something interesting. Which is underplayed because my friends in the film industry in Russia tell me that they don’t feel like cinema is accorded the same regard as theatre, literature, or fine arts, and the Russians themselves seem to feel their mass films are schlocky. C’mon guys, have you looked at us or the Indians lately?

Check out the subtitle design of Night Watch. Who would have thought to take a necessary evil and make it an artistic device? I love this film, and love the idea of Russian blockbusters competing with Hollywood.

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Here’s the film’s trailer.  (Don’t you love how a Hollywood VO is all it takes to remove 50% of the Russian soul from a movie?)

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As much as I love the great directors of the past, two other recent films that just blew me out of my chair were “Brother” (Брат), made by Aleksei Balabanov and starring the brilliant late actor and director Sergei Bordruv Jr., and “The Return” (Возвращение; tr.:Vozvrashcheniye) by Andrey Zvyagintsev and starring Konstantin Lavronenko (who won Best Actor at Cannes for Zvyagintsev’s follow-up film, “The Banishment”). I recommend these three as a primer for those seeking a socio-cultural introduction to post-Soviet Russia.

And I’ll try to post more, even when traveling.

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Getting on the right bus in Curitiba

September 21st, 2007 · Brasil / Brazil

Sometimes, you go somewhere not expecting much, and it turns out to stick with you long after you left. Curitiba was like that for me in Brazil.

Three of my seven Brazil chapters were inspired by two short days in the Paranaense capital. I got better acquainted with Oscar Niemeyer, whom I already admired, at the terrific Museo there, but I also was struck by the many urban planning projects that were initiated in the late 60s by architect-turned-mayor Jaime Lerner.

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Every city should elect an architect, for Mr. Lerner’s Curitiba turned the main street, Rua de XV Novembre, into a lively pedestrian mall, encouraged a city complex filled with beautiful Modernist buildings for everyday use, and developed a really unique bus system where passengers board through sliding subway-like doors after entering a waiting tube.

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It was also in Curitiba that I realized that Brazilian Rock was more than just an 80s blip of good bands and music that I liked. The streets of Curitiba are headbanger central, where everyone has a guitar solo just waiting to come out. It was this juxtapostion of content and culture that made BRock a must for me. While they play more funk than rock, Bonde do Role embodies that punky, bratty, fun rocker attitude of Curitiba.

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Third was graffiti. I had already seen and been impressed by São Paulo’s street art. What I noticed in Curitiba was the emergence of different styles for different cities and the direct creative continuum between municipally-commissioned works and spontaneous street art. It’s easy for anyone to love graffiti when it looks like Brazil’s.

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Rethinking ‘formulaic’ through Bollywood

September 11th, 2007 · भारत / இந்தியா / ভারত / ಭಾರತ / India

Easily the hardest chapter of BRIC Pop is going to be the one on Bollywood. It’s the ultimate giant onion, with each layer revealing another even more intricate than before.  While I will never be able to hold my own with native fans, my goal is to watch about 30 Indian films, 15-20 of them from the Hindi industry but another 10-15 from the rest of the country and mixing up indie and mass. I’m through my first ten now.

I hated the first five or six Hindi films, including some very highly acclaimed ones. Hammy acting, obvious plots, awful songs, terrible action sequences. But I’ve since found two I loved: Sholay and Lage Raho Munna Bhai. Just finished the two in the last week, and was mesmerized by them both. Basanti’s dance to save Veeru is as psychologically complex as anything in Ray’s Apu Trilogy. And Lage Raho Munna Bhai is more than just a pop Gandhigiri civics lesson; it’s an wonderful primer on contemporary Indian life…and the first film I’ve seen that really ‘felt’ like the Mumbai I know and love. In this scene (sorry I couldn’t find subtitles), Munna helps a retired professor shame a bribe-seeking administrator into approving his pension in a very creative way.

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I’ve been rethinking the idea of ‘formula’ as less an automatic pejorative and more a kind of creative alchemy. Like Indian cuisine, when all the ingredients are right, it’s very right, even if you might get a mushy vegetable or bitter herb here or there. I’m willing to forgive the lame fight sequences in Sholay or the implausibilities and stereotypes in Lage Raho because they don’t detract from the totality of the film — in fact they may even add a little charm.

But when the ingredients in the formula are off-kilter, the formula itself becomes an irritant. I find myself throwing things at the screen in other films because the director was too lazy to rise above transparent hack-work (this means you, Karan Johar).  I’m betting this explains why the attempted Sholay remake Aag is bombing at the box office.

I think it’s the same in any culture. Whether your formula is original or derivative, Depeche Mode sang it best: get the balance right.

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The _________ of BRIC.

September 5th, 2007 · All, Brasil / Brazil, Россия / Russia, भारत / இந்தியா / ভারত / ಭಾರತ / India, 中国 / China

Everyone has their doppelganger. Here are some people who sometimes get pegged as the BRIC equivalent of a western celebrity.

Ksenia Sobchak: the Paris Hilton of Russia. Unfair, because Ksenia has an education, multilingual fluency, and is likeable. She’s also #6 on Forbes Russian celebrity power list.

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Next, a woman I adore, Ana Maria Braga, host of the Brazilian morning program Mais Voce. Kind of like Diane Sawyer and Martha Stewart put together, except she has a parrot for a co-host, a hunky 35-year-old husband, and has never been to jail. She put me on her show after I interviewed her for the book.

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Here’s a clip of Ana and Louro José (the parrot), in a compilation of his cheekiest moments. You lose a little without the Portuguese, but suffice to say you would never catch Diane or Martha having a straight conversation with a puppet at 8:30 in the morning.

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Daniel Wu. He’s from San Francisco, but is now a Hong Kong film and music star. But on the side, he’s the Johnny Knoxville of China. Here he is shooting fireworks at his friend’s chest, from ChiSeen.

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Daniel’s also a serious actor. But not here. In his directorial debut, The Heavenly Kings, he Spinal Taps the whole Cantopop boy band phenomenon.

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Finally, Simi Garewal. The Barbara Walters of the Indian celebrity interview. Soft focus, lots of white, inane questions. Unlike Barbara, her background isn’t journalism, but a Bollywood actress herself. The show opener is fabulous:

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MTV India Comedian Cyrus Sahukar does a hilarious imitation. You can meet “Semi Girebaal” and take the complete woman quiz here.

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Confucian Chicken Soup for the Modern Chinese Soul

August 31st, 2007 · 中国 / China

The IHT recently published this article on Yu Dan’s Reflections on ‘The Analects’, her popular updating of Confucian philosophy.

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China is in the midst of a revival of interest in things Confucian and Taoist, but it’s not what you think it is. More DIY than follow-the-leader, young Chinese annoy the staff in temples by making it up as they go along, and not knowing what to do because they were never allowed to do it before, which sounds like fun to me. Article at link, and here’s a shot of one of the shops outside a temple in Chongqing, where you just pick up whatever floats your spiritual boat.

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Here come the Russians

August 30th, 2007 · Россия / Russia

First. Dima Bilan. It’s all his fault that all Russian boys from 10-30 have mullets. But Dima’s no dummy – he’s hooked up with Timbaland, who gave him one of Justin’s cast-off singles, “Number One Fan” -  in his bid for global fame:

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This song by Via Gra (yeah, that’s right), was stuck in my head for a month. Unfortunately.

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Here’s Alla Pugacheva. If you can figure out how and why this is cool, then you ‘get’ Russia. I think it is.

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Finally, Zhanna Friske, formerly of rotating girl-group Blestyachie, in a remix of the profoundly lyrical “La La La.” Like being in a revolving disco in Sochi.

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